Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...
The article talks about how I found my artist, and how letting go really does heal.
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
When I last interviewed Vancouver punks the Rebel Spell, I was surprised to discover that, long before the band had formed, their singer and principal lyricist Todd Serious knew the Subhumans’ Gerry Hannah. Stepha and Todd were living in ...
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
Deb Rhymer has worn numerous hats over the years, from Bette Midler impersonator to daycare operator. But the one that fits her best is blues booster.
Rhymer, a Victoria native, spends almost all her waking hours dedicated to blues, eith...
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Jane Michiel has a five year history with Gage Gallery and is currently a board member. The creativity of her 20 colleagues inspires her, and she enjoys the freedom of being part of a non-profit organization. Focusing on faces for Charisma,...
http://www.artopenings.ca/sandra-froher.html
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio