Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Preview:
https://www.focusonvictoria.ca/palette/173/
Bonus podcast episode and exclusive Kingston Live interview.
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
Ira Hoffecker presents Transitions at Fortune Gallery
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
Dick's On Dicks, Wed.June.18th
With the 2008 Vancouver International Jazz Fest getting under way, the illustrious Commodore Ballroom is pretty well taken for a month or so solid at this time every year. As such, I was not so much surpris...
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
Dear Kim
I personally wanted to thank you and the troupe for such a fine fine evening on Saturday. Grace and I have had nothing but rave reviews about everything including how much everyone really enjoyed the dancing. The snake routine in the library was
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
GARVIES was essentially, up until a few weeks ago, the pipe-dream of a musically untrained illegal immigrant surfer poet from 17 000 km away, turned reality here on the west coast of Vancouver Island. He was playing bass in a rock band call...
Video by Lola Parks keeps levidrome front of mind. Victoria boy's word continues to gain momentum online. Lucky Budd, father of Levi Budd, campaigns to get "levidrome" in the dictionary.
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr